Elephant Walk (1954)

£0.00


Country: US
Technical: col 103m
Director: William Dieterle
Cast: Elizabeth Taylor, Peter Finch, Dana Andrews

Synopsis:

A Ceylon tea plantation owner returns from England with his beautiful bride to Elephant Walk. There she is isolated as the sole white woman and intimidated by the hostile presence of the elephants, who, it is said, resent the presence of humans on their migrating path.

Review:

A troubled production (Vivien Leigh left after all the location work had been done, meaning she is still visible in some long shots) this insight into the workings of a colonial plantation is compromised by melodramatic overtones and an incomprehensible preference of Andrews over Finch on the part of the heroine.

Add To Cart


Country: US
Technical: col 103m
Director: William Dieterle
Cast: Elizabeth Taylor, Peter Finch, Dana Andrews

Synopsis:

A Ceylon tea plantation owner returns from England with his beautiful bride to Elephant Walk. There she is isolated as the sole white woman and intimidated by the hostile presence of the elephants, who, it is said, resent the presence of humans on their migrating path.

Review:

A troubled production (Vivien Leigh left after all the location work had been done, meaning she is still visible in some long shots) this insight into the workings of a colonial plantation is compromised by melodramatic overtones and an incomprehensible preference of Andrews over Finch on the part of the heroine.


Country: US
Technical: col 103m
Director: William Dieterle
Cast: Elizabeth Taylor, Peter Finch, Dana Andrews

Synopsis:

A Ceylon tea plantation owner returns from England with his beautiful bride to Elephant Walk. There she is isolated as the sole white woman and intimidated by the hostile presence of the elephants, who, it is said, resent the presence of humans on their migrating path.

Review:

A troubled production (Vivien Leigh left after all the location work had been done, meaning she is still visible in some long shots) this insight into the workings of a colonial plantation is compromised by melodramatic overtones and an incomprehensible preference of Andrews over Finch on the part of the heroine.