Haywire (2011)

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Country: US/EIRE
Technical: col/2.35:1 93m
Director: Steven Soderbergh
Cast: Gina Carano, Channing Tatum, Michael Douglas, Ewan McGregor, Michael Fassbender, Bill Paxton, Antonio Banderas

Synopsis:

An operative working for a freelance company under contract to a US government agency is double-crossed by her employer while on assignment in Ireland, but her capacity for survival goes underestimated by all.

Review:

Voguish sub-espionage thriller (cf. Bourne, Salt, Hanna), made still more incomprehensible by the director, who packages it like a cross between Out of Sight (temporal mishmash) and the Ocean films (no one is quite as clever as the heroine). It works tolerably well, and Carano is an intriguing new presence, handling herself phenomenally in the fight scenes.

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Country: US/EIRE
Technical: col/2.35:1 93m
Director: Steven Soderbergh
Cast: Gina Carano, Channing Tatum, Michael Douglas, Ewan McGregor, Michael Fassbender, Bill Paxton, Antonio Banderas

Synopsis:

An operative working for a freelance company under contract to a US government agency is double-crossed by her employer while on assignment in Ireland, but her capacity for survival goes underestimated by all.

Review:

Voguish sub-espionage thriller (cf. Bourne, Salt, Hanna), made still more incomprehensible by the director, who packages it like a cross between Out of Sight (temporal mishmash) and the Ocean films (no one is quite as clever as the heroine). It works tolerably well, and Carano is an intriguing new presence, handling herself phenomenally in the fight scenes.


Country: US/EIRE
Technical: col/2.35:1 93m
Director: Steven Soderbergh
Cast: Gina Carano, Channing Tatum, Michael Douglas, Ewan McGregor, Michael Fassbender, Bill Paxton, Antonio Banderas

Synopsis:

An operative working for a freelance company under contract to a US government agency is double-crossed by her employer while on assignment in Ireland, but her capacity for survival goes underestimated by all.

Review:

Voguish sub-espionage thriller (cf. Bourne, Salt, Hanna), made still more incomprehensible by the director, who packages it like a cross between Out of Sight (temporal mishmash) and the Ocean films (no one is quite as clever as the heroine). It works tolerably well, and Carano is an intriguing new presence, handling herself phenomenally in the fight scenes.