Motor Psycho (1965)
Country: US
Technical: bw 74m
Director: Russ Meyer
Cast: Joseph Cellini, George Costello, Haji, Jessica Fannin
Synopsis:
Bikers led by a psychotic Vietnam vet terrorize the Arizona desert, but an outraged veterinarian gives them what for.
Review:
A clear companion piece to Faster Pussycat, Meyer's entry in the biker sub-genre (cf. The Wild One, The Wild Angels, etc.) is a respectable piece of B-movie schlock, enlivened by his daring cleavage shots and curvaceously hipped glamour pusses who invariably give as good as they get. The discovery here is the extraordinary mulatto leading lady who teams up with the goodie and gets a bullet in the bosom for her trouble. There is more groovy sixties vernacular in the screenplay than in a trio of Austin Powers movies, and the director has a cameo as a reactionary motorcycle cop.
Country: US
Technical: bw 74m
Director: Russ Meyer
Cast: Joseph Cellini, George Costello, Haji, Jessica Fannin
Synopsis:
Bikers led by a psychotic Vietnam vet terrorize the Arizona desert, but an outraged veterinarian gives them what for.
Review:
A clear companion piece to Faster Pussycat, Meyer's entry in the biker sub-genre (cf. The Wild One, The Wild Angels, etc.) is a respectable piece of B-movie schlock, enlivened by his daring cleavage shots and curvaceously hipped glamour pusses who invariably give as good as they get. The discovery here is the extraordinary mulatto leading lady who teams up with the goodie and gets a bullet in the bosom for her trouble. There is more groovy sixties vernacular in the screenplay than in a trio of Austin Powers movies, and the director has a cameo as a reactionary motorcycle cop.
Country: US
Technical: bw 74m
Director: Russ Meyer
Cast: Joseph Cellini, George Costello, Haji, Jessica Fannin
Synopsis:
Bikers led by a psychotic Vietnam vet terrorize the Arizona desert, but an outraged veterinarian gives them what for.
Review:
A clear companion piece to Faster Pussycat, Meyer's entry in the biker sub-genre (cf. The Wild One, The Wild Angels, etc.) is a respectable piece of B-movie schlock, enlivened by his daring cleavage shots and curvaceously hipped glamour pusses who invariably give as good as they get. The discovery here is the extraordinary mulatto leading lady who teams up with the goodie and gets a bullet in the bosom for her trouble. There is more groovy sixties vernacular in the screenplay than in a trio of Austin Powers movies, and the director has a cameo as a reactionary motorcycle cop.