Suntan (2016)
Country: GR/GER
Technical: col/2.66:1 104m
Director: Argyris Papadimitropoulos
Cast: Makis Papadimitriou, Elli Tringou, Pavlos Orkopoulos
Synopsis:
A doctor with a history of emotional difficulties goes to work on a Greek Island where, come the tourist season, he attaches himself to a group of youngsters and gradually loses his moral compass.
Review:
Classic portrait of a Lolita besotted sad sack cued to self-destruct, this offers little in the way of comfort but through its subtly varied repetitions and rock steady film making is a textbook case in the difference between love and sex, the latter represented by the misogynistic, happy-go-lucky hell raiser with whom the protagonist goes on the pull one night. Woe betide a man in his position should actually fall in love in one of those hedonistic hell holes.
Country: GR/GER
Technical: col/2.66:1 104m
Director: Argyris Papadimitropoulos
Cast: Makis Papadimitriou, Elli Tringou, Pavlos Orkopoulos
Synopsis:
A doctor with a history of emotional difficulties goes to work on a Greek Island where, come the tourist season, he attaches himself to a group of youngsters and gradually loses his moral compass.
Review:
Classic portrait of a Lolita besotted sad sack cued to self-destruct, this offers little in the way of comfort but through its subtly varied repetitions and rock steady film making is a textbook case in the difference between love and sex, the latter represented by the misogynistic, happy-go-lucky hell raiser with whom the protagonist goes on the pull one night. Woe betide a man in his position should actually fall in love in one of those hedonistic hell holes.
Country: GR/GER
Technical: col/2.66:1 104m
Director: Argyris Papadimitropoulos
Cast: Makis Papadimitriou, Elli Tringou, Pavlos Orkopoulos
Synopsis:
A doctor with a history of emotional difficulties goes to work on a Greek Island where, come the tourist season, he attaches himself to a group of youngsters and gradually loses his moral compass.
Review:
Classic portrait of a Lolita besotted sad sack cued to self-destruct, this offers little in the way of comfort but through its subtly varied repetitions and rock steady film making is a textbook case in the difference between love and sex, the latter represented by the misogynistic, happy-go-lucky hell raiser with whom the protagonist goes on the pull one night. Woe betide a man in his position should actually fall in love in one of those hedonistic hell holes.