The Small Back Room (1949)

£0.00

(Hour of Glory)


Country: GB
Technical: bw 106m
Director: Michael Powell, Emeric Pressburger
Cast: David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks, Cyril Cusack

Synopsis:

An armaments researcher working in the back rooms of a government-funded thinktank is tasked by the military with appraising a new Nazi booby device. Untainted by the bullshit around him, he is nevertheless plagued with pain from a tin leg, and nursed by a secretary who tries to steer him away from self-pity and a bottle of scotch.

Review:

Atmospheric, stylish and suspenseful psychological drama, which takes time to reveal its cards. With their self-consciously tender flourishes of technique, the Archers brought out the humane in the smallest characters while rejoicing in the high stakes of their intimate narrative. Farrar delivers a performance which makes one wonder what became of him, and Sister Ruth gets her man at last.

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(Hour of Glory)


Country: GB
Technical: bw 106m
Director: Michael Powell, Emeric Pressburger
Cast: David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks, Cyril Cusack

Synopsis:

An armaments researcher working in the back rooms of a government-funded thinktank is tasked by the military with appraising a new Nazi booby device. Untainted by the bullshit around him, he is nevertheless plagued with pain from a tin leg, and nursed by a secretary who tries to steer him away from self-pity and a bottle of scotch.

Review:

Atmospheric, stylish and suspenseful psychological drama, which takes time to reveal its cards. With their self-consciously tender flourishes of technique, the Archers brought out the humane in the smallest characters while rejoicing in the high stakes of their intimate narrative. Farrar delivers a performance which makes one wonder what became of him, and Sister Ruth gets her man at last.

(Hour of Glory)


Country: GB
Technical: bw 106m
Director: Michael Powell, Emeric Pressburger
Cast: David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks, Cyril Cusack

Synopsis:

An armaments researcher working in the back rooms of a government-funded thinktank is tasked by the military with appraising a new Nazi booby device. Untainted by the bullshit around him, he is nevertheless plagued with pain from a tin leg, and nursed by a secretary who tries to steer him away from self-pity and a bottle of scotch.

Review:

Atmospheric, stylish and suspenseful psychological drama, which takes time to reveal its cards. With their self-consciously tender flourishes of technique, the Archers brought out the humane in the smallest characters while rejoicing in the high stakes of their intimate narrative. Farrar delivers a performance which makes one wonder what became of him, and Sister Ruth gets her man at last.